Human Judgment and Editorial Responsibility: Why the Publisher Still Makes the Final Call

By Cheval John | Vallano Media
This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author


Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.

By this stage of the FIFA reporting project, artificial intelligence had touched many parts of the workflow.

It helped organize research.

It compared sources.

It surfaced questions.

It helped structure timelines.

It challenged emerging arguments.

It assisted with outlining, drafting and revision.

It helped identify claims that deserved additional verification.

But there was one responsibility that never moved.

The final editorial decision belonged to the journalist and publisher.

That distinction is easy to state.

In practice, it is one of the most important boundaries in AI-assisted journalism.

AI can generate options.

It can recommend changes.

It can identify potential problems.

It can even produce an answer that appears stronger than the one the journalist originally had.

But eventually someone has to decide: Is this accurate enough to publish?

Is the evidence strong enough?

Is the wording fair?

Does the story provide enough context?

Are we overstating what we know?

Is there something important missing?

Those are not merely technical questions.

They are editorial judgments.

And accountability for those judgments cannot be transferred to the software.

The Final Decision Is More Than Fact-Checking

Accuracy is essential, but editorial judgment involves more than verifying individual facts.

A story can contain accurate facts and still be misleading.

The facts may be presented in the wrong proportion.

Important context may be missing.

A headline may imply more than the article proves.

A technically correct sentence may still create an unfair impression.

An allegation may be properly attributed but given more prominence than the available evidence justifies.

That means the final review cannot simply ask: Is every sentence factually correct?

It also has to ask: Does the finished story fairly represent what the evidence actually shows?

AI can help identify places where those questions should be asked.

It cannot assume responsibility for answering them.

Editorial Judgment Begins With Knowing the Subject

Human oversight works best when the person reviewing AI output understands the subject being discussed.

That matters because not every AI error is obvious.

A fabricated date may be relatively easy to catch.

A subtle distortion of context can be much harder.

A journalist familiar with the subject is more likely to notice when:
– a source is being given too much weight,
– a conclusion does not fit the chronology,
– an organization’s role is being oversimplified,
– an important distinction has disappeared,
– or a sentence technically works but does not accurately reflect the story.

This is one reason professional expertise becomes more important rather than less important when AI enters the workflow.

The faster a system can produce polished material, the more important it becomes to have someone capable of evaluating what that material actually means.

AI can accelerate production.

Expertise determines whether that acceleration leads somewhere useful.

Knowing What Not to Publish Is Part of the Job

One of the most important forms of editorial judgment is restraint.

Journalism often rewards discovery.

Find the new detail.

Find the stronger angle.

Find the development that moves the story forward.

But not every interesting possibility belongs in the article.

A claim may be plausible but insufficiently sourced.

A connection may be compelling but unproven.

An AI-generated interpretation may make sense without being strong enough to publish.

The journalist has to be willing to leave those things out.

That can be difficult because generative AI makes it very easy to continue developing an idea.

A speculative connection can become a paragraph.

That paragraph can become a section.

That section can begin to feel like part of the story simply because it has been written well.

But polished language does not create evidence.

Sometimes the strongest editorial decision is deletion.

Sometimes it is qualification.

Sometimes it is another round of reporting.

And sometimes it is simply deciding: We do not know enough to publish this.

Fairness Requires More Than Balance

Editorial responsibility also includes fairness.

Fairness does not necessarily mean giving every side identical space.

Nor does it mean treating every claim as equally credible.

It means representing the evidence honestly and giving relevant parties a fair account of what is known, what is disputed and what remains uncertain.

AI can complicate this because a generated summary may create artificial symmetry.

It may present two competing claims as though they have equal evidentiary support.

Or it may do the opposite and give one interpretation disproportionate weight because that interpretation appears more frequently in the material it processed.

The journalist has to evaluate the relative strength of the evidence.

If one claim is supported by documents and multiple independent reports while another is merely asserted, those positions should not necessarily be presented as equivalent.

At the same time, disagreement should not be erased simply because one interpretation appears stronger.

The goal is not artificial balance.

The goal is an accurate representation of the evidence.

That requires judgment.

Headlines Are Editorial Decisions Too

The headline may be only a few words, but it can carry enormous editorial weight.

An article can be carefully qualified while the headline overstates the conclusion.

That can happen with or without artificial intelligence.

AI simply makes it easier to generate dozens of headline options quickly.

Some will be accurate.

Some will be clever.

Some will be dramatic.

And some may promise more than the reporting can support.

That means headline selection belongs inside the same verification process as the article itself.

Does the headline accurately describe the story?

Does it imply causation the article does not establish?

Does it turn analysis into fact?

Does it emphasize controversy at the expense of context?

Would the headline still be defensible if someone read only those words?

The best headline is not necessarily the most clickable one.

It is the strongest headline that remains faithful to the reporting.

AI Cannot Be Held Professionally Accountable

There is another reason responsibility remains human.

AI cannot be held professionally accountable for a published story.

The journalist and publisher can.

The AI system does not answer a reader who challenges a factual error.

It does not receive a correction request.

It does not explain a sourcing decision to an editor or audience.

It does not maintain a professional relationship with a source.

It does not carry the publication’s reputation.

The journalist and publisher do.

That makes accountability more than a philosophical principle.

It is practical.

When Vallano Media publishes an article, Vallano Media is responsible for that article.

A disclosure that AI assisted with research or drafting does not transfer that responsibility elsewhere.

If something is wrong, “the AI produced it” is not an adequate defense.

The publication still chose to publish it.

Transparency Matters Because Responsibility Matters

That is also why disclosure became part of Vallano Media’s AI-assisted reporting process.

Transparency is not about attaching a warning label to the journalism.

It is about accurately describing how the work was produced.

If AI assisted with research organization, outlining or drafting, readers should not be left with the impression that those tools played no role.

At the same time, disclosure should not exaggerate AI’s role either.

There is a difference between: AI assisted with the process

and: AI independently produced the journalism.

The first can describe a professional workflow.

The second would imply a very different level of automation and editorial control.

For Vallano Media, useful disclosure is intended to help readers understand that distinction.

The goal is not to make AI the center of the story.

The goal is to be honest about where it participated.

Human Review Is Not a Ceremonial Final Step

There is a danger in describing human oversight as though it happens only after AI has done everything else.

That model would look like: AI completes the work → human approves it.

That is not the workflow Vallano Media developed.

Human judgment appeared throughout the process.

The journalist determined which questions mattered.

The journalist selected and evaluated sources.

The journalist decided which AI suggestions deserved further investigation.

The journalist chose which arguments survived.

The journalist determined whether another round of reporting was necessary.

The journalist edited the draft.

The journalist verified the claims.

And the journalist made the publication decision.

Human oversight was not a final checkbox.

It was embedded throughout the workflow.

That distinction matters because meaningful oversight requires the ability to intervene early, not merely approve or reject a finished product at the end.

Judgment Includes Knowing When the Story Is Finished

Editorial judgment also determines when to stop.

That can be particularly difficult with AI.

A system can always generate another question.

Another angle.

Another rewrite.

Another possible connection.

Another suggested source.

Another headline.

The availability of more possibilities does not mean the reporting needs to continue indefinitely.

Eventually the journalist has to determine whether the story has reached the standard required for publication.

Is the central question sufficiently answered?

Have the important claims been verified?

Have relevant perspectives been represented?

Are the remaining gaps clearly acknowledged?

Would additional research materially change the story?

If the answer is no, the reporting may be ready.

AI can help identify unfinished work.

It cannot decide when professional judgment says the work is finished.

Editorial Responsibility Also Means Correcting the Record

Human accountability continues after publication.

If new information emerges, the journalist has to evaluate it.

If an error is discovered, the publication has to decide whether a correction or clarification is necessary.

If circumstances change, a follow-up may be warranted.

The responsibility does not end when the publish button is pressed.

AI can assist with organizing or comparing new developments against earlier reporting.

But the obligation to maintain the integrity of the published record still belongs to the publication.

That is part of trust.

Readers are not merely trusting that every article will be perfect.

They are trusting that the publication will take responsibility when something needs to be corrected.

Human Judgment Is Not Infallible

Keeping final responsibility with a human does not mean human judgment is automatically correct.

Journalists make mistakes.

Editors miss things.

Sources can be misunderstood.

Bias can influence decisions.

The value of human judgment is not perfection.

Its value is that a responsible professional can examine the evidence, explain the decision, reconsider it, correct it and be held accountable for the result.

That accountability creates a standard against which the work can be evaluated.

AI can assist the decision-making process.

It cannot replace the person or organization responsible for the consequences of that decision.

AI Can Make Judgment More Visible

One unexpected result of using AI in the workflow was that it made some editorial decisions easier to see.

Many traditional journalism decisions happen almost automatically for experienced professionals.

Is this source strong enough?

Does this wording overstate the evidence?

Is this attribution necessary?

Should this claim be included?

When AI produces an alternative, those decisions become explicit.

The journalist has to explain why one version works and another does not.

Why one source is acceptable and another is weak.

Why one interpretation is supported and another is speculative.

Why a more dramatic sentence should be rejected.

That can make the editorial process more deliberate.

AI does not create the judgment.

But interacting with it can force the journalist to articulate the judgment that was already necessary.

The Publisher Remains the Last Line of Defense

Every stage of the workflow can contain safeguards.

Strong sources.

Verification.

Timelines.

Red-team review.

Fact-checking.

Editing.

Disclosure.

But eventually there has to be a final line of responsibility.

For Vallano Media, that line remains the publisher.

The AI system does not get the final vote.

The journalist does.

That does not make AI unimportant.

It defines the relationship.

AI can advise.

The publisher decides.

That principle is not a limitation on AI-assisted journalism.

It is what allows AI assistance to exist inside a trustworthy editorial process.

The Goal Is Not Human Versus AI

The lesson from the FIFA reporting project was not that human judgment and artificial intelligence are competing for control of journalism.

That framing is too simple.

The more useful question is how the strengths of each can be used without confusing their roles.

AI can process information quickly.

It can help organize complexity.

It can surface patterns and questions.

It can generate options.

It can challenge assumptions.

Human professionals bring context, expertise, skepticism, ethical judgment and accountability.

The best workflow does not require pretending those capabilities are identical.

It depends on understanding that they are different.

The technology can expand what the journalist is able to do.

The journalist still determines what the journalism becomes.

What Comes Next

The FIFA project began as a reporting assignment.

It became a practical test of research, verification, AI assistance and human editorial judgment.

But the lessons do not end with journalism.

The same basic problem appears anywhere AI is used to support professional work: How do you gain the benefits of the technology without surrendering the judgment that gives the work its value?

That question matters in public relations.

It matters in research.

It matters in business.

It matters in communications.

It matters anywhere people are responsible for decisions made with AI-assisted information.

Next week, chapter 6 will examine what the workflow can teach professionals beyond journalism—and which principles remain useful even when the work changes.

Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.

Chapter 1: The Journalist Is Still Responsible

By Cheval John | Vallano Media
This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author


Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.

Artificial intelligence can help a journalist work faster.

It can organize information, summarize documents, compare sources, identify gaps in an argument, suggest questions, assist with editing and challenge assumptions the journalist may have overlooked.

But there is one thing it cannot do.

It cannot take responsibility for the journalism.

That responsibility remains human.

The journalist remains responsible for the work they produce.

Editors remain responsible for the decisions they make.

News organizations remain responsible for the systems they approve, the standards they set and the safeguards they require.

AI can become part of the process without becoming accountable for the result.

That distinction sounds simple.

In practice, it is not.

If an AI system produces a paragraph that eventually appears in an article and that paragraph contains an error, who is responsible?

If AI summarizes a document incorrectly and nobody catches it, who owns the mistake?

If a newsroom introduces an AI tool into its workflow without adequate safeguards, can responsibility simply be pushed down to the individual journalist?

These questions become more important as AI systems move deeper into journalism.

The answer cannot be that the technology is responsible.

Accountability still belongs to the people and organizations using it.

The Temptation of Speed

One of the most attractive things about artificial intelligence is speed.

Tasks that once required substantial manual work can sometimes be completed much faster with AI assistance.

Information can be organized quickly.

Long documents can be examined.

Ideas can be compared.

A first draft can take shape faster than it might have before.

For journalists working under deadlines, that can be incredibly useful.

But speed can create another danger.

The faster information appears, the easier it can become to accept it without examining it closely.

A polished answer can feel authoritative even when the underlying information is incomplete, misleading or wrong.

And an AI system does not have to invent a fact to cause problems.

It can omit crucial context.

It can emphasize the wrong detail.

It can flatten uncertainty.

It can steer attention toward one interpretation while neglecting another.

That is why human judgment becomes more important, not less.

AI does not eliminate the need for verification.

It increases the importance of knowing what needs to be verified and why.

Polished Does Not Mean Correct

One of the first lessons anyone working seriously with generative AI learns is that confident language does not guarantee accurate information.

An AI system can produce an answer that sounds professional, complete and perfectly reasonable.

It can also be wrong.

That creates a particular problem for journalism because credibility depends on the accuracy of what gets published.

A spelling mistake can be embarrassing.

A factual mistake can damage trust.

An unsupported accusation can create much more serious consequences.

The danger is not simply that AI makes mistakes.

Human beings make mistakes too.

The difference is that generative AI can produce those mistakes quickly and present them in language that already looks finished.

That means journalists cannot judge AI output by how polished it appears.

They have to judge it by the evidence behind it.

AI Output Is Not Evidence

This is one of the rules I have increasingly adopted in my own work: AI output is not evidence.

If an AI system tells me something happened, that does not make the statement true.

If it provides a date, statistic, historical claim or quotation, that information still has to be traced back to reliable evidence.

AI can help point me toward something worth investigating.

It can help organize what I find.

It can help compare multiple pieces of information.

But an AI-generated claim should never be treated as verified simply because the system produced it.

That distinction has changed the way I work.

Instead of asking only, “What is the answer?” I increasingly ask:

“What evidence supports the answer?”

Those are very different questions.

The first can produce information.

The second begins the verification process.

Human Oversight Has to Mean Something

There is a phrase that appears constantly in discussions about artificial intelligence:

Human in the loop.

It sounds reassuring.

But simply putting a human somewhere in the workflow does not automatically make the process responsible.

A journalist can still accept an AI-generated summary without checking it.

An editor can still approve a story too quickly.

A newsroom can still adopt an AI system without understanding its limitations.

Human oversight only works when the human is actually verifying, questioning and exercising judgment.

Otherwise, the human becomes little more than a rubber stamp.

The goal should not simply be to keep a person somewhere in the process.

The goal should be to make sure that person still has the time, authority and responsibility to challenge what the technology produces.

The Human Has to Push Back

Another lesson I have learned is that AI becomes more useful when I stop treating it as something that should agree with me.

If I present an argument and ask an AI system whether it is good, I may receive a helpful answer.

But I often learn more by asking it to attack the argument.

What am I missing?

What assumptions am I making?

What would a skeptical reader challenge?

What evidence would weaken my conclusion?

What alternative explanation should I consider?

That is where AI can become useful as an adversarial partner rather than simply a writing assistant.

But there is another layer to this.

The AI’s criticism also has to be challenged.

It can identify a weakness that does not actually exist.

It can suggest an alternative interpretation that is unsupported.

It can overcorrect.

So the journalist has to evaluate both the original argument and the AI’s response to it.

The human remains responsible for deciding what survives.

AI Is Not Just Another Spellcheck

Journalists have always used technology.

Search engines changed research.

Digital recorders changed interviews.

Transcription software changed note-taking.

Content-management systems changed publishing.

Spellcheck changed editing.

So why should generative AI be treated differently?

The difference is not that AI is the first technology journalists have ever used.

It is that generative AI can produce outputs that resemble reasoning, interpretation and writing.

It does not merely correct a misspelled word.

It can suggest an argument.

It can summarize a document.

It can rewrite a paragraph.

It can compare competing explanations.

It can recommend what information appears most important.

That gives it greater potential to influence editorial judgment.

And the closer technology moves toward those judgment-heavy parts of journalism, the more carefully journalists need to understand what the system is doing.

Judgment Cannot Be Automated Away

Journalism is filled with decisions that go beyond arranging facts.

Which facts matter most?

Which source is credible?

Which detail belongs near the top of the story?

Which claim requires additional verification?

When is there enough evidence to publish?

When should publication wait?

What context does the audience need?

Those decisions involve judgment.

AI may help inform that judgment, but it cannot remove human responsibility for the decision.

That becomes especially important when a story involves uncertainty.

Real reporting is rarely as clean as the completed article makes it appear.

Sources may disagree.

Documents may be incomplete.

Eyewitness accounts may conflict.

Statistics may require context.

People may have incentives to describe the same event differently.

A journalist has to work through those contradictions and decide what can responsibly be said.

AI can assist with that process.

It cannot own the decision.

Responsibility Is Bigger Than a Byline

I often think about this in very simple terms.

If my name appears on an article, I am responsible for what is in it.

But responsibility in journalism extends beyond the byline.

Editors, producers, researchers and others may shape journalism without their names appearing prominently on the final product.

Whether my name appears on the work or I contribute behind the scenes, I am still responsible for the decisions I make in producing it.

And organizations have responsibilities too.

A newsroom cannot introduce AI tools, encourage their use and then pretend every consequence belongs only to the reporter.

Management decisions matter.

Training matters.

Editorial standards matter.

The design of the workflow matters.

Responsibility is shared, but it does not disappear.

What That Means for This Book

Artificial intelligence will play a significant role in the creation of this book.

It will help me organize research.

It will challenge arguments.

It will help examine drafts.

It may suggest language that ultimately survives into the finished manuscript.

But it will not receive editorial authority over the work.

I will decide what stays.

I will decide what goes.

I will decide whether the argument reflects the evidence.

And I will be responsible for what is published.

If an AI system produces something inaccurate, misleading, unsupported or simply not good enough, I cannot defend the final result by saying:

“The AI told me.”

That is not an editorial defense.

A Different Kind of Partnership

None of this makes AI unimportant.

Quite the opposite.

Used carefully, it can become one of the most useful tools available to a modern journalist.

But the most productive relationship may not be one in which the journalist asks AI to do the thinking.

It may be one in which AI helps the journalist think harder.

Challenge this.

Compare these sources.

Find the weakness.

Show me another interpretation.

What am I overlooking?

Where does this argument fail?

Those kinds of questions turn AI from a shortcut into something closer to an intellectual sparring partner.

And that may ultimately be one of its most valuable roles in journalism.

Responsibility Remains Human

The tools journalists use have always changed.

The responsibilities underneath the profession have changed much less.

Verify the information.

Understand the evidence.

Provide context.

Be fair to the people involved.

Correct mistakes.

Do not publish something simply because it sounds convincing.

Artificial intelligence does not erase those responsibilities.

It makes them more visible.

The journalist may have a new assistant.

The newsroom may have faster tools.

The organization may be able to accomplish more in less time.

But when journalism reaches the public and someone asks, “Can I trust this?” the answer cannot be:

“The AI said it was right.”

The answer has to come from the work behind the story.

And responsibility for that work remains human.


Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.

I’m Taking the Nonfiction Writing Challenge Again-This Time With AI

By Cheval John | Vallano Media November 1st, 2026
This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author


Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.

Twelve years ago, I participated in a nonfiction writing challenge.

Generative AI was not part of my writing process.

There was no ChatGPT sitting beside me, no AI assistant helping me organize research and no system I could ask to challenge an argument before I published it.

The process was more traditional: research, notes, writing, rewriting and editing.

Now it is 2026, and I am doing the challenge again.

This time, the blank page has company.

For the next 30 days, I will be working on a new book, Journalist and AI — Volume 1, while documenting what happens when artificial intelligence becomes part of the nonfiction writing process.

This is not an experiment in having AI write a book for me.

It is an experiment in what happens when a writer uses AI as a tool while remaining responsible for the research, reporting, verification, judgment, writing and final product.

That distinction matters.

Twelve Years Later

A lot has changed since 2014.

Writers already had search engines, digital publishing tools, social media and numerous technologies that had transformed how information was gathered and distributed.

But mainstream writers did not have the kind of easily accessible generative AI systems available today.

Now I can use AI to help organize research, examine competing ideas, identify weaknesses in an argument, compare information and assist with editing.

But that does not automatically make the writing better.

It does not automatically make the research accurate.

AI can accelerate good work.

It can also accelerate bad work.

It can help organize information more quickly, but it can also produce convincing errors, flatten a writer’s voice or reinforce a weak assumption if nobody challenges it.

That is part of what I want to explore over the next 30 days.

Why Do This Again?

I have already written books.

So this challenge is not about proving that I can finish one.

I am returning to it because the writing environment has changed so much that I want to experience the difference for myself.

Where does AI actually save time?

Where does it improve the work, and where does it create new problems?

Most importantly, can AI help a writer become more productive without sacrificing accuracy, judgment, transparency or individual voice?

Those questions are part of the reason Journalist and AI exists.

Instead of discussing them only in theory, I am going to put them to the test while writing the book itself.

This Is Not a Perfect Comparison

There is one thing I want to make clear from the beginning.

This is not a controlled experiment between 2014 and 2026.

AI is not the only thing that has changed since 2014.

I have changed too.

I have another 12 years of experience as a writer, publisher and researcher.

Publishing technology has changed.

The projects are different.

The way I organize information has changed.

So if I work faster in 2026 than I did in 2014, I cannot simply say AI caused the entire difference.

AI is an important variable, but it is not the only one.

That limitation is part of the experiment, and I do not intend to hide it.

What I can document is how AI affects the process I use today.

How AI Will Be Used

Artificial intelligence will be part of this project, but it will have defined roles.

I will use it to help organize ideas, analyze information, identify questions, compare sources, examine arguments and assist with editing.

I will also use it as an adversarial partner.

One of the most useful habits I have developed while working with AI is asking a different kind of question.

Instead of only asking, “Is this good?” I often ask:

“What is wrong with this?”

I use AI to red-team ideas and drafts — to search for weak arguments, missing context, unsupported assumptions and alternative interpretations.

But the AI’s criticism is not automatically correct either.

I still have to evaluate it.

The same principle applies to research.

AI can help me find patterns, organize information and work through material faster than I could manually.

But an AI-generated statement is not evidence.

If something matters to the book, it still has to be verified against reliable sources.

What AI Will Not Do

AI will not receive final editorial authority over this project.

I will

I decide what belongs in the book.

I decide whether an argument accurately reflects the evidence.

I decide whether the writing sounds like me.

And if an AI system produces something inaccurate, misleading, unsupported or simply not good enough, I am responsible for catching it.

A system capable of producing polished language quickly can also produce polished mistakes quickly.

Speed cannot become a substitute for judgment.

What Readers Are Going to See

For the next month, I want to make parts of this process visible.

There will be successes.

There will probably be mistakes.

There will be AI suggestions that improve the work and others that I reject.

There may be research that changes the direction of a chapter.

There may be sections that get rewritten completely because the first approach does not work.

And if AI wastes time, gives me weak information, sends me in the wrong direction or produces writing that I throw away, that belongs in the record too.

The goal is not to create the illusion that writing with AI is effortless.

The goal is to document what actually happens.

I will not be publishing every chapter of the book as I write it.

Readers will instead see selected parts of the process, observations from the experiment and what I learn along the way.

At the same time, Vallano Media will continue its regular Tuesday and Thursday publishing schedule, with additional articles published when news, reporting or other projects warrant it.

The book challenge will happen alongside that work rather than replace it.

My Rule for the Next 30 Days

The Write Nonfiction in November challenge does not require me to work on the project every single day.

That is a rule I am adding for myself.

From November 1 through November 30, I will work on Journalist and AI — Volume 1 every day.

Some days may produce a large amount of writing.

Other days may be spent revising, verifying information, reorganizing a chapter or questioning an argument that is not working.

The point is not to chase an arbitrary daily word count.

The point is to keep moving the manuscript forward.

Thirty Days

By November 30, I want more than a word count.

I want a complete first manuscript of Journalist and AI — Volume 1.

But I also want a record of how we got there.

How much did AI accelerate the process?

Where did human judgment remain indispensable?

Did greater speed allow more time for verification and deeper thinking, or did it simply encourage more production?

Did AI help preserve my voice, or did I sometimes have to push back against its tendency to make everything sound polished and generic?

And after 30 days, will I view the relationship between journalists and artificial intelligence differently than I do today?

I do not know all of those answers yet.

That is exactly why I am doing this.

In 2014, I participated in a nonfiction writing challenge using the tools available to me at the time.

Twelve years later, I am returning in a completely different technological environment.

The technology has changed.

The responsibility of the writer has not.

For the next 30 days, you are going to see the process.


Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.

Sam Houston secures CUSA tournament berth with consecutive sweeps of Jacksonville State

By Cheval John | Vallano Media
This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author


Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.

Sam Houston began the volleyball season picked to finish last in Conference USA.

On Saturday, the Bearkats secured a place in the conference tournament, with their goal of a top-three finish still within reach.

The Bearkats completed consecutive home sweeps of Jacksonville State at Johnson Coliseum, winning Friday’s match 25–17, 25–16, 25–23 before taking Saturday’s match 25–23, 25–12, 25–16.

Saturday’s victory improved Sam Houston to 16–9 overall and 7–5 in conference play.

The ESPN+ broadcast reported that the Bearkats had clinched their tournament berth, with New Mexico State’s victory over Delaware also contributing to qualification.

The weekend also brought a milestone for the program.

Friday’s victory marked the first time Sam Houston had reached 15 wins since finishing 18–10 in 2021, and its first 15-win season since joining CUSA in 2023.

Coach Brenda Gray made clear that the Bearkats’ ambitions extend beyond qualifying.

“Our goal is to get to the tournament, but our goal this year is to be top three,” Gray said in her ESPN+ postmatch interview Saturday.

Sam Houston, Middle Tennessee and Liberty each stood at 7–5 in conference play after Saturday’s matches.

The Bearkats travel to Middle Tennessee on November 5–6, giving them an opportunity to gain ground against a team sharing their conference record.

Serving and shared production

Sam Houston’s two victories came with contributions throughout the lineup.

No Bearkat reached double figures in kills in either match, but the team produced 33 kills Friday and 34 Saturday.

Chloe Monson led Sam Houston with nine kills in each match and added 10 digs Saturday.

Bella Wood contributed five kills in both victories while collecting seven service aces across the series.

The Bearkats finished with 18 aces over the two matches, compared with Jacksonville State’s eight.

Brenlin Garlitz supplied 16 assists and four aces Friday.

Lauren Pyle added nine assists, while libero Shaelin White led the defense with 11 digs.

On Saturday, Garlitz and Pyle recorded 12 and 11 assists, respectively, and White finished with a team-high 14 digs.

Chelsea Butler contributed four kills on a .500 hitting percentage and five blocks.

Annika Brooks added five block assists.

Monson said having teammates contribute eased the pressure to carry the offense herself.

“It definitely takes the pressure off me trying to have a perfect game every single time,” she said in her ESPN+ interview.

Gray also praised the execution from the service line.

“I think our serving was on point today, wherever I was asking them to go, they were delivering the ball,” she said.

Jacksonville State tests Friday’s finish

Sam Houston won Friday’s opening two sets by eight and nine points, respectively.

The third required the Bearkats to respond to a closer finish and a late reversal.

A successful Jacksonville State challenge changed an apparent 22–19 Sam Houston lead to 21–20.

Monson and Wood answered with kills to extend the advantage.

The Gamecocks stayed within reach, however, saving two match points before Butler delivered the deciding kill for a 25–23 finish.

A final challenge did not change the outcome.

Sam Houston finished the match hitting .238, compared with Jacksonville State’s .140.

In her postmatch interview with Sam Houston SportsTalk, Gray emphasized keeping the team’s attention on its own play and approaching the remaining schedule one match at a time.

With conference positioning still unsettled, the Bearkats returned Saturday needing another victory.

An opening-set escape

Saturday’s first set became the pivotal stretch of the second match.

Sam Houston started with five consecutive points and later led 17–9.

The Bearkats still held a six-point advantage at 22–16 before Jacksonville State scored seven straight points to move ahead 23–22.

Sam Houston answered by winning the final three rallies.

Monson’s kill, assisted by Wood, tied the score.

A bad set by Jacksonville State’s Delaney Moon put the Bearkats ahead, and a Claire Evans attack error completed the 25–23 win.

The Bearkats took the set despite recording eight attack errors against 10 kills, finishing with a .051 hitting percentage.

Their offense became considerably more efficient in the second set.

Jacksonville State scored the opening two points, but Sam Houston responded with a seven-point run.

The Bearkats produced 14 kills against two errors, hitting .444 in a 25–12 victory while holding the Gamecocks to five kills.

In her postmatch interview, Gray discussed communication and adjustments during the opening set, along with serving targets intended to disrupt Jacksonville State’s offense.

Monson also pointed to passing and blocking discipline as areas of emphasis.

Five straight points seal the sweep

Jacksonville State opened the third set with a 5–1 lead, but Sam Houston recovered to move ahead 15–9.

The Gamecocks later narrowed an 18–12 deficit to 18–15.

Kills by Monson and Wood restored a five-point advantage before Jacksonville State scored again to make it 20–16.

Sam Houston then won the final five points.

Rachelle Reed began the closing run with a kill assisted by White.

Faith Roulston followed with a kill from Pyle, and Butler added another.

Attack errors by Evans and D’Yanna Spicer supplied the final two points.

Audrey Terry served the last four rallies as the Bearkats completed the 25–16 finish.

Sam Houston hit .241 for the match and held Jacksonville State to .032.

Both teams finished with nine team blocks.

Evans led the Gamecocks with 12 kills Saturday, while Azavia Thomas added seven.

Jacksonville State finished the series 3–21 overall and 0–12 in conference play.

A higher finish remains within reach

The preseason coaches poll placed Sam Houston 10th with 17 points.

Middle Tennessee was tied for eighth with 18.

Both have moved beyond those predictions and enter their upcoming series with seven conference wins.

For Sam Houston, the trip to Murfreesboro offers a direct test against another team pursuing position near the top of the standings.

“We got to be better today than we were yesterday. And I thought we were,” Gray said after Saturday’s victory.

The Bearkats have secured their tournament place.

With Middle Tennessee next and WKU following at home, their remaining matches will determine how close they come to the top-three finish Gray set as a goal.

How Midco Sports Helped South Dakota’s Hail Mary Reach a National Audience

By Cheval John | Vallano Media
This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author


Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.

With one second remaining on November 13, 2021, South Dakota quarterback Carson Camp didn’t have many options.

The Coyotes trailed rival South Dakota State 20-17 inside the DakotaDome in Vermillion.

One play remained.

South Dakota had the ball at its own 43-yard line.

Camp escaped pressure and launched the football toward the end zone.

The ball came down into a crowd of players.

South Dakota State defenders got their hands on it, but instead of falling to the turf, the football stayed alive.

Jeremiah Webb caught it.

Touchdown.

South Dakota won 23-20.

It was a 57-yard touchdown on the final play of the game.

It was Webb’s first collegiate touchdown.

And it came against a South Dakota State team ranked No. 7 in one FCS poll and No. 4 in another.

It eventually became Sports Illustrated’s Play of the Year.

But there is another part of the story worth examining.

Someone had to be there to produce the game.

Someone had to have the cameras positioned, the announcers in place and the infrastructure operating when an otherwise ordinary November afternoon suddenly produced one of the biggest highlights in college football.

That was Midco Sports.

And that makes South Dakota’s Hail Mary more than a great sports story.

Video Courtesy of PSC Highlights YouTube Channel

It is also a business lesson about the value of regional sports media.

The Cameras Were Already Rolling

Midco wasn’t dispatched to Vermillion because anyone expected history.

It was already there.

South Dakota’s game information for that afternoon listed Midco Sports as the television broadcaster, with Jay Elsen on play-by-play, Andre Fields as analyst and Elaina Lanson reporting.

The game was also available online through ESPN+ and Midco Sports Plus.

That distinction matters.

National sports media naturally focuses much of its attention and resources on events expected to attract the largest audiences.

Regional networks operate under a different model.

Their value comes partly from consistently covering the schools, teams and communities inside their footprint.

Most of those broadcasts will never produce a Sports Illustrated Play of the Year.

They aren’t supposed to.

The value is in being there every week.

Because occasionally the routine game you committed to producing becomes anything but routine.

South Dakota’s victory over South Dakota State was one of those days.

The athletes created the moment.

The coaches put them in position to create it.

But the existence of an established broadcast operation meant that people outside the DakotaDome could see what happened almost immediately.

The play didn’t have to wait for a national television network to discover South Dakota football.

The production was already happening.

The Infrastructure Predated the Moment

The media story surrounding the Hail Mary actually stretches back years.

In March 2016, the University of South Dakota, Coyote Sports Properties and Midco Sports Network announced a $3.05 million partnership.

The agreement included broadcast cabling throughout the DakotaDome and USD’s new basketball and volleyball arena, television service throughout the facilities and a mobile video production cart capable of streaming events such as soccer and track and field.

Midco also received broadcast rights to Coyote athletic events as part of the agreement.

And perhaps most importantly for understanding the relationship, Midco had already been producing South Dakota athletic events and football and basketball coaches’ shows since 2012.

The 2016 agreement extended that relationship for another decade.

So when Camp threw that football in November 2021, South Dakota wasn’t suddenly trying to figure out how to televise a viral moment.

The media infrastructure that helped carry the moment beyond Vermillion had been developing for years.

That’s an important distinction for businesses.

Infrastructure is often easiest to appreciate after something extraordinary happens.

But you have to build it before you know what that extraordinary moment will be.

South Dakota and Midco could not have known in 2016 that five years later a quarterback would throw a football 57 yards with one second remaining, that the ball would be tipped and that a receiver would somehow catch it for a rivalry-winning touchdown.

They didn’t need to know.

The investment was in creating the capacity to cover South Dakota athletics consistently.

The Hail Mary demonstrated what that capacity could make possible.

Midco Didn’t Need to Become ESPN

There is another layer to the story that makes the Midco model particularly interesting.

Midco didn’t need to become ESPN.

It needed to be really good at being Midco.

Regional production and national distribution do not have to compete with each other.

They can complement each other.

By 2018, South Dakota was already explaining publicly how that system worked.

The university announced that Midco Sports Network would televise several Coyote football games and that those Midco-produced broadcasts would be relayed online to ESPN.

That schedule included games simultaneously available on Midco and ESPN+.

Three years later, the same basic distribution model surrounded the South Dakota-South Dakota State game.

Midco produced the television broadcast.

Viewers could also watch through ESPN+.

That creates a media chain that would have been much more difficult for a regional program to build in an earlier era.

A company with deep regional knowledge can handle production.

A national streaming service can expand distribution.

Social platforms and national sports outlets can amplify an extraordinary moment afterward.

The regional company doesn’t disappear from the equation.

In many ways, it becomes more important because somebody still has to originate the production.

This is one of the overlooked effects of streaming on college sports.

Distribution can become national without production becoming national.

The people producing a South Dakota football game don’t necessarily have to work in New York, Los Angeles or even for ESPN.

They can remain close to the teams and communities they cover while their work travels much farther.

Then the Play Traveled

Once Webb came down with the football, the moment quickly became much larger than a South Dakota rivalry game.

South Dakota had beaten South Dakota State 23-20.

The highlight traveled through national sports media.

And within weeks, the play found itself competing against moments involving some of the most recognizable athletes and programs in sports.

Sports Illustrated’s 2021 Smooth Play of the Year nominees included Jordan Spieth’s remarkable shot at the Ryder Cup, Jalen Suggs’ Final Four buzzer-beater for Gonzaga against UCLA, Jamil Roberts’ overtime goal that gave Marshall its first men’s soccer national championship and South Dakota’s Hail Mary.

Think about that group.

PGA golf.

The NCAA Final Four.

A national championship.

And an FCS rivalry game from Vermillion, South Dakota.

South Dakota won.

On December 7, Camp and Webb attended the Sports Illustrated Awards in Hollywood, Florida, and accepted the Smooth Play of the Year award on behalf of the program.

Shaquille O’Neal presented the award.

Midco did not make the catch.

Midco did not decide the award.

And it would be a mistake to claim that the regional network caused South Dakota to win it.

But Midco helped provide something essential to everything that followed: visibility.

The moment was professionally captured and distributed because the production infrastructure already existed.

That is the business lesson.

Regional Sports Media Has a Different Job

It is easy to judge regional sports networks against the scale of ESPN, Fox, CBS or NBC.

That may be the wrong comparison.

Midco describes its sports operation as dating to 2007 and says it has put thousands of games on its television channels and streaming service while working with schools and conferences throughout its region.

Its competitive advantage isn’t necessarily that it can outspend a national network.

It is proximity.

It can build relationships with universities that national television companies cannot cover with the same frequency.

It can televise games that aren’t candidates for a major national broadcast.

It can develop announcers who understand those programs and their rivalries.

And when something remarkable happens, that regional production can suddenly become nationally valuable content.

The South Dakota Hail Mary offers an almost perfect example of the process:

local event → regional production → national streaming distribution → national sports-media amplification.

Most games will never travel through that entire chain.

That’s fine.

Businesses sometimes make the mistake of evaluating infrastructure entirely by what it produces on an average day.

But infrastructure also creates options.

It determines what an organization is capable of doing when the unusual happens.

Build Before the Moment Arrives

There is a broader lesson here beyond sports television.

Businesses often want to invest after success becomes obvious.

Build the audience after something goes viral.

Improve production after demand appears.

Develop distribution after people start asking for the product.

But sometimes the businesses positioned to benefit from an unexpected opportunity are the ones that quietly built the infrastructure beforehand.

Midco had been working with South Dakota athletics for years before November 13, 2021.

The cameras were already there.

The announcers were already there.

The production system was already there.

The distribution relationship was already there.

Then Carson Camp escaped the rush and threw the football.

Jeremiah Webb caught it.

South Dakota won.

The play traveled far beyond the DakotaDome and eventually stood alongside moments from the Ryder Cup, Final Four and a national championship before being named Sports Illustrated’s Play of the Year.

None of that means Midco created the moment.

It means Midco was prepared to capture it.

And that may be the most important lesson of all.

You cannot manufacture a moment like South Dakota’s Hail Mary.

But you can build the infrastructure that makes sure people far beyond the stadium can see it when it happens.

Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.